Her process begins when she meets her clients. Drawing on the repertoire of motifs that recur and evolve across her body of work, she develops each piece by expressing her intuitions on the surface of the client’s body, uniting internal emotion and external form in the ongoing process of painstakingly laying down ink. What results are one-of-a-kind pieces adapted to the site-specific contours of each client’s body that Roxx views as not merely adorning but completing them: an external representation of the client’s most ideal inner self, interpreted through her unique visual language.
Roxx’s work has appeared in major media outlets, such as The New York Times, GQ, Vogue, The Ellen Show, and Out Magazine, while international exhibitions have honored the influence of her work, including two pieces of her work in the 2017 MoMA exhibit, Items: Is Fashion Modern?